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Snape, Andrew – “The Anatomy of an Horse” Appendix (1683)

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Snape, Andrew – “The Anatomy of an Horse” Book 5 (1683)

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The copyright of this material belongs to the Royal College of Veterinary Surgeons. It is available for reuse under a Creative Commons, Attribution, Non-commercial license.

Snape, Andrew – “The Anatomy of an Horse” Book 4 (1683)

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The copyright of this material belongs to the Royal College of Veterinary Surgeons. It is available for reuse under a Creative Commons, Attribution, Non-commercial license.

Snape, Andrew – “The Anatomy of an Horse” Book 3 (1683)

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The copyright of this material belongs to the Royal College of Veterinary Surgeons. It is available for reuse under a Creative Commons, Attribution, Non-commercial license.

Snape, Andrew – “The Anatomy of an Horse” Book 2 (1683)

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Snape, Andrew – “The Anatomy of an Horse” Book 1 (1683)

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The copyright of this material belongs to the Royal College of Veterinary Surgeons. It is available for reuse under a Creative Commons, Attribution, Non-commercial license.

Snape, Edward – “A Muscular Preparation of an Horse” (1778)

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Townson, Robert – “Tracts and Observations in Natural History and Physiology” (1799)

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Boardman, Thomas – “A Dictionary of the Veterinary Art &c.” (1805)

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This material has been identified as being free of known restrictions under copyright law, including all related and neighbouring rights, and is being made available under the Creative Commons, Public Domain Mark.

Anatomical Artwork Scans

68 paintings depicting various sections of (mostly) horse limbs and organs, showing disease and damage. The artworks are mostly watercolours, and those that are dated or signed range from 1820-1848.

Twenty-one of the paintings are signed by W Field (as well as the artist’s name) and it is assumed these were given to the RCVS by ex-President William Field, in a large presentation to Library and Museum in 1877. The reason these paintings were made, and why Field collected them, is unknown. Amongst Field’s collection, the paintings are signed by A A Cane, Joseph Perry and G Kirtland.

Twenty-three other artworks are by William Henry Kearney (1800-1858). The remaining twenty-five artworks are unsigned and undated, and do not seem to be related to the other two collections.